Favourites : Tom Verlaine - His three best plus the lost album

I have already written about Television and their importance in my record collection.  Tom Verlaine was their lead guitarist. By the time I started listening to them they had broken up about six months earlier.

I therefore had to content myself with new music from former band members. While I have two or three by Richard Lloyd the other guitarist in the band they never really did much for me.

However I have over the years bought all of Verlaine's solo work.  While some of them are a bit pedestrian and have not dated well three stand out for me as albums I would happily recommend to anyone.  These include his debut solo album - the self titled Tom Verlaine. Many of these tracks were leftover from Television's second album, Adventure and it would have been great to have hear the band unleashed in the studio with them (I have some rough bootlegs of live versions).  Four songs standout on this album for me Souvenir from a Dream, Flash Lightning,  Breaking in My Heart, and the Bowie cover Kingdom Come.

Verlaine followed up his debut solo with the even better Dreamtime.  On this album Verlaine shrugs off Television a bit more and presents a more consistent sound. Some great tracks on this album - a personal favourite the driving Down on the Farm.  then there are the gentler songs Without a Word and Mary Marie.



Then there is the dynamic Bomb

After Dreamtime Verlaine released two more albums that had moments (the sublime Postcard from Waterloo) but were generally lost in 80's production and less inspired writing.





Then in  1987 he released Flash Light.  To my ears this is the highlight of his solo career and an album I actually play even more than Marquee Moon.

On this album he almost seems playful.  The band is terrific with Jimmy Ripp playing the Richard Lloyd role and Fred Smith on Bass.  Only Billy Ficca is missing from the version of Television that played in NZ at the end of 2013.

The album starts well with the jaunty but somehow menacing opener Cry Mercy Judge,

I also really enjoy the single A Town Called Walker which retains the sense of mystery.

 "This town's not a number it's simply gone numb" .  

Then it's the simply titled Song - "When you wait, it is not hours, just some forgotten sense of time"

Its hard to pick favourites from within such a good selection but other highlights include The Scientist Writes A Letter, At 4am,  The Funniest Thing (perhaps my favourite) and One Time  At Sundown.


I had not known until recently that prior to releasing Flash Light he had actually recorded another album that his record company declined to release.  I started to piece that together when I stumbled upon a 12" single of Cry Mercy Judge with two songs that I did not recognise.

Since then I have managed to track down 5 separate 12 " singles and ten of the songs that would have made up that album.

I think I have one more of these singles to go and then I would effectively have the whole "unreleased" album.  A challenge I will enjoy.

Global Crate Digging : My Best Second Hand Finds in 2018 - Part 1 - Folk & Blues

For me 2018 was really all about getting some great second hand records with some good buys on trips to the US, Canada, Denmark, Spain and England.

The good thing about hunting for records in new locations is that you can usually find some records that aren't readily available in New Zealand.  Also what is gold in NZ may be cheap offshore and vice versa (one day I will take a load with me).   This year I have  managed to flesh out my Miles Davis collection as well as have some interesting finds by the likes of Lee Morgan, Luther Allison, Junior Wells and Memphis Slim. 

In truth I have bought so many I really have to do this in parts. 

Some Blues for you all

Harry Smith's Anthology of American Music - Volume 1 and  Volume 2

I  never really expected to ever see Original Boxes of these collections  Let alone in a record store just around the corner from home.  It was nice when the owner said he was pleased that it was me that was buying them as he knew that they would be looked after.  Now I am on the lookout for Volume 3.



These provided the backbone to the folk music scene in the US in the late 50's early 60's when variance to how these versions were was considered almost treason.

There is a story that Dylan stole Dave Van Ronk's copy of it.  On listening to it I realised that it was also compulsory listening (and learning) for all primary school teachers when I was growing up.




Luther Allison - Luther's Blues and Bad News is Coming.  While I had heard of Luther Allison I had
never heard him.  I stumbled across a lovely copy of his debut; Bad News is Coming in Christchurch.  The photo on the cover of Luther smoking a huge bong made buying it all the more irresistible. 

I was certainly pleased I did as it has some really nice aggressive and funky electric blues and it is now amongst my favourite blues albums.  Really like Evil is Going On and Ragged and Dirty. So much so that I identified two other Allison records to hunt down and was lucky to find  Luther's Blues recently in near mint condition plus a live CD/DVD from the 70s.



Junior Wells - On Tap - I had not heard of this album by Junior Wells but when I spotted in a store in West Hollywood in almost perfect condition I thought it would be worth checking out.    An original pressing on the Chicago Delmark Label.  Junior Wells did not put out many bad albums.  I was pleased I did as it is certainly up there with his best.  I particularly enjoy his take on Keys to the Highway and   Mystery Train which he calls Train I Ride

A few years ago I read an article on the Rolling Stone Website about the Ten albums Rolling Stone liked in the 70's that we had never heard of.  After reading it - it became a bit of a mission to track them down and at least listen to them.   After managing to find three this year I now have only two to go.  Johnny Shines' - Too Wet to Plow was one of those.  I had first heard Johnny on one of the excellent Chicago!The Blues!Today albums where he was decidedly electric in his approach.  This is more in the acoustic country blues mold but really loses nothing for that.

Otis Spann - The Biggest Thing Since Colossus.  I am an habitual browser of second hand blues bins at record stores.  I have a few that I am on the lookout for but I also just pick up interesting ones like this one.  It is a collaboration between the first incarnation of Fleetwood Mac and Chicago blues pianist Spann.   Like me Spann was a fan of Peter Green's lyrical guitar playing and that is what prompted the record.  At the time Fleetwood Mac recorded with a few other artists (check out Duster Bennett) but Spann's fans did not really take to this noisy version of their master.

I love it - sloppy and noisy.

Harvey Mandel, Barry Goldberg and Charlie Musselwhite - Blues From Chicago -  What a great trio.  Harvey Mandel played with Canned Heat, tried out to replace Mick Taylor in The Stones (he is on a couple of tracks on Black and Blue) and produced a number weird and wonderful solo records.  Goldberg played with so many but had regular gigs and albums with Al Kooper and Mike Bloomfield (Check out KGB and Two Jews Blues) and is my favourite blues organist.  Musselwhite is of course Musselwhite.  THis had been on my list for a year or so and almost skipped over it when I came across it in an antique and curio store in Hebden Bridge.

Bobby Rush - Rush Hour - Another of Rolling Stones recommended forgotten 70's Blues Albums and the second of my three finds from the list this year.   This is a bit funkier than the others (in fact it is really only his tasty blues guitar licks that really make it a blues album in any way.  It also has generous doses of Bobby's famous sense of show and humour - maybe best shown in I Can't My Keys and No Axe Ta Grind.





Guitar Star : Various Artists  I nearly missed this in the bins in a record store in Vancouver on a cold wet Sunday.  The store was right beside what was called The Amsterdam Cafe so it had a nice aroma.  Since falling in love with Boz Scaggs Somebody Loan Me A Dime I have been on the lookout for the original - not that Boz credited it to Fenton Robinson (just like Page and Plant I suppose).  Originally recorded in 1967 it was only ever released on a single (or so I thought) and Robinson himself had to re-record it in 1974.  So when I saw that this album claimed to have the 67 recording and was only $10 it was an easy decision (although by that stage in the trip I was getting worried about baggage weight).  So despite the cheesy album title and cover I had to have it.   What does the rest of the album sound like - I still do not know as I have only played that track - I will get around to it.

Chicago Smoke Shop - Chicago Smoke Shop   One of the pleasures of being back in Wellington has been able to catch some of the excellent local blues.  Darren Watson is kind of the Godfather of the local blues scene and always puts on a good show.  This year he reconvened his first band Chicago Smokeshop after a 25 year absence.  It was nice to catch them at both of their reunion gigs, first in Nelson and then again in the Botanics later in January.  So I was very pleased when I managed to find this.  For Wellington Blues fans you may remember  Mind on My Sleeve or Sugar Coated Love.


Memphis Slim - Blue Memphis - The final in my trilogy of Rolling Stones recommended 70's Blues Albums.  I found a copy in a shop in West Hollywood but they wanted $75 for it.  When I said it was too much the owner got all shitty with me and I left the shop with out it.  A week later I found a copy in Seattle for $22.50.

Apparently this was Memphis Slim's favourite of his 40+ albums and part of the reason was he felt the band was the best he had recorded with.  Not surprising really with John Paul Jones on Bass and Peter Green on guitar.

My Favourite New Albums in 2018

2018 In Review - New Releases

About halfway through the year I had the feeling that musically speaking 2018 was a little light in comparison to previous years.  Certainly apart from some great New Zealand Music there was not a lot to get too excited about.  But the year finished strongly with some excellent releases from old hands like Elvis Costello, Richard Thompson and Boz Scaggs as well as newer comers like Parker Millsap, Phosphorescent and The Record Company.

I think the first three really standout as albums that are pretty special - after that the ablums are all worthwhile having.  Finally I mention two that I wish I had never heard and recommend you avoid at all costs.  I will never get that time back!!!!!


The Record Company - All of This Life - Last year The Record Company's Give it Back to You was one of my favourite discovery.  So pleased they managed some consistency and also a step forward with their second record.  A good mix of old style R'n'B with a sound influenced by the likes of the better stuff by  The Black Keys.

The album kicks off as it intends to continue with A Life to Fix .  Other tracks I enjoy include Make it Happen and Roll Bones.

A great record and my current go to.






Parker Millsap - Other Arrangements - This is a real return to the promise and form of his self titled debut - a terrific record and was delighted my trip to Seattle coincided with Parker playing an excellent small concert in an old church.  Great show.

Millsap has a nice blues influenced voice while his songs this time are more electric based and tend more towards a raunchy side of country.  Favourite tracks are the title track, Your Water, and Fine Line.  If you like these I strongly recommend you check out his self titled debut.

Bettye Lavette - Things have changed - This was my first pick as album of the year when it was title track (which was on the Wonder Boys sound track, Ain't Talking, Mama You've Been On My Mind, Political World and Don't Fall Apart on Me Tonight.
released. Some great interpretations of Dylan songs.  As usual with Bettye she bring her own special meaning and lyrics to the songs.  Like Dylan she messes  with her own lines and versus.  You know she means every word.   She digs deep into Dylan's cannon and most of the songs are what have now become known as "Deep Cuts".  Whether the

One of the best interpretive singers around and one of her best albums to date.  I suppose that is what happens when you couple a great singer and a great songwriter.

Imarhan - Temet - My fascination and enjoyment of West African Desert Blues extended again this year with additional of Imarhan to my listening.  They remind me of a lot of earlier/younger Tinariwen.  The songs are generally shorter though with less jams while not as funky as Songhoy Blues.  Pleased I came across them.


Bombino's Deran is a continuation of the execellent work he did on his previous Azel (still my favourite of his).   I have really got hooked on these Taureg desert blues and Bombino's shows at WOMAD a few year's ago were a revelation.  Key tracks on this one include his reworking of a traditional wedding song Deran Deran Alkheir  Tenesse and Tehegrin

Israel Nash - Lifted - Roger from Southbound records in Auckland has a nasty habit of changing the music when I enter the store.  He invariably captures my imagination and I end up walking out of the shop poorer and usually calling him a bastard yet again.   This year one of the artists he put me onto was Israel Nash.  He was surprised I had never heard of him and played me a few early tracks.  For people who like their americana with atmospherics like Iron & Wine, Hiss Golden Messenger and Phosphorescent, his later stuff like this one fits the bill.  I did manage to find a copy of his earliest album in a record store in Barcelona of all places and that really sounds like Heartbreaker era Ryan Adams.


Phosphorescent - C'est La Vie - It has been a long time between albums for Phosphorescent but the sound is still there.  Atmospheric, thoughtful and exquisitely played.  Worth the wait and let's hope it is not the same length of time to the next album.

You know an album is good when you find yourself not only playing the new one but also reaching out for the older stuff.






Hard Working Americans - We're all in this together - an appropriate title for an indie sub-super-group.  In some respects it seems a little early in their career to be releasing a double live album.  Could not find this economically on vinyl but was pleased to picked up a second hand cd in Seattle.  Sometimes I have to settle :-).  The live playing is sensational and Todd Snider's vocals retain the irony that he seems to be able to portray.  If you have not heard this band it is a great place to start as they present tracks like Roman Candles, Ascending into Madness and  Another Train/Is This Thing Working .

Elvis Costello - Look Now.   Elvis is one of those artists that I want to like everything he puts out because he can test himself so much - but I do think he has a few failures in his canon (not many though) so I usually wait a while.

His last collection was his excellent Wise Up Ghost collaboration with The Roots. Really testing himself with a mixture of some reworked obscure songs and some new trial all with an R&B / Hip Hop flavour.  This is nothing like that and has a mixture of old style Attractions rockers - complete with the old word play - Bacharach influenced and assisted ballads and mid period groove.  Pleased I picked up the deluxe edition with a few extra tracks.

Rolling Blackouts CF - Hope Down.  I am not sure these guys are the saviours that many say they are.  To me they sound like an (excellent) 80's alternative band - somewhere in between The Clean and The Go Betweens.  However they do update the sound just a little.  Apparently they rock a little harder live - so I will try and check them out.








Boz Scaggs - Out of the Blues : Another solid late career highlight for Boz.  Soulful renderings of well selected songs.  Not quite to the standard of the previous A Fool to Care which really was a stunning musical success but still an interesting and worthwhile addition to his discography.   My favourite tracks are the two that I knew best beforehand Neil Young's On the Beach and Down in Virginia and Those Lies





Willie Nelson - Last man standing - So good to have been able to catch him this year live at the Hollywood Bowl.  Understandably it was not a show lasting hours - but what was pleasing was his (very under-rated) guitar playing and showmanship were still there. He is still releasing one or two albums a year and one of them is always worth getting.  An album of reflection and hope and of course some humour.  Probably best shown on the funky title track.  After reflecting those that have gone before him  he wryly says "I don't wanna be the last man standing - but on second thought maybe I do"   Heaven is Closed (and Hell's Overcrowded) - so I think I'll just stay where I am.    Let's hope he does.

Cedric Burnside - Benton County Relic.  I first heard Cedric 10 years ago when he played a multi-instrumental set with Lightening Malcolm.  In addition to their own set they were supporting David "Honeyboy" Edwards and Hubert Sumlin at a show in Chicago celebrating what would have been Robert Johnson's 100th birthday. Cedric is RL Burnside's grandson and started playing drums for  RL when he was only 14.

I have his excellent 2 Man Wrecking Crew album which is a nice mix of blues and more modern R'n'B.  This was recommended on a website that I follow so I thought I would pick it up.  Not disappointed at all.  An excellent mix of modern and traditional blues.  Some grungy and driving numbers (like his grandfather) but also some nice acoustic blues like Death Bell Blues  and Hard to Stay Cool  (the former recorded in Sun Studios - with a  mic used by Elvis and that I have posed behind).

It was another good year for New Zealand releases.  I was probably not as brave as I have been in recent years and only purchased a few albums by new local artists.    Instead I relied in those I knew I could rely on with only one or two exceptions.   The new artist I was most impressed with was Emily Fairlight  and her excellent - Mother of Gloom.  The album title reflects what the music is.

My pick of other NZ music goes to three musicians whom I was lucky enough to see on their album release tours.


Tami Neilson's  Sassafrass is a worthy successor to her almost perfect predecessor Don't Be Afraid.  Tami manages to write songs that are both topical and entertaining.  Stay out of My Business kicks it off and is pretty self explanatory, while A Woman's Pain is a nice ode to her grandmother.  I was lucky to see her live this year and it was one of the best of year.  Great entertainer backed by a great band.

I also saw Marlon Williams play one of his two wellington concerts this year to support the release of Make Way for Love.   I think he would have very much benefited from playing a single show at The Opera House like Tami as the Victoria University Venue has to be one of the worst I have been to.  However he put on a good show and this is as sophisticated as country pop you are likely to hear.  It was nice that Williams got a bit of a  break playing a Roy Orbison tribute in the recent incarnation of  A Star Is Born.



Darren Watson's  Too Many Millionaires completes my favourite four New Zealand Releases.  I have been a reborn fan of Watson since he released the excellent Introducing Darren Watson a few years back.  Since being back in Wellington I try and catch his shows as often as possible.  A great showman and excellent guitarist with a nice feel for the blues.  It was nice to be able to support the recording of this through Kick Starter and get a signed copy hand delivered on the day of its release.  This is an all acoustic album and he then played a tour of the same.

In terms of other New Zealand releases I am still waiting for the arrival of Mel Parson's new album Glass Heart.  Her excellent last album Drylands has been a fixture in our car's CD player for two years now (somewhat incongruously with The Hold Steady).  I have a ticket to the album release show in Wellington in a few weeks that I am looking forward to.   The album has been produced by Mitchell Froom (Crowded House and Richard Thompson) so I am hopeful of a step up.




St Paul & The Broken Bones - Young Sick Camelia.  Thanks Sam and Michelle for this.  It is a great bit of funky soul, think a mix between Al Green and Sly - played by white boys .  True to the past but also experimental and honest.  Favourite Tracks include Bruised Fruit , Apollo and Nasa.

Anjelique Kidjo - Remain in Light - this is a bit of a revelation - a reinterpretation of Talking Heads' masterwork.  Staying true but also moving on , check out her versions of Born Under Punches and Once in a Lifetime.  Not sure why but I was lucky enough to score one of the 150 initial vinyl pressings of this.   I think hearing this live at WOMAD may be a good enough reason to drive up to New Plymouth next year.

Richard Thompson - 13 Rivers - Richard Thompson is one of those who in recent years seems incapable of putting out a bad record.  Only been through it twice and as usual the songcraft and playing are top notch.  As usual it is hard to pick just one or two songs maybe this one that kicks things off, The Storm Won't Come or the more traditional Bones of Gilead or Do All These Tears Belong to You?

Joan Baez - Whistle Down The Wind.  I almost have a pathological dislike of Joan Baez's early work.  Just something too perfect about her presentation and too worthy about her focus.  However I heard her earlier album  Dark Chords on a Big Guitar and her takes on songs by Ryan Adams, Josh Ritter, Gillian Welch, Greg Brown and others.  I kind of see this album as its logical follow up.  This time with two songs by Tom Waits, the title track and Last Leaf .  My favourite track however is her take on Joe Henry's Civil War.  However the undoubted centre-piece is her take on The President Sang Amazing Grace a heartrending song about when Obama visited the church in Charlotte to pay respect to the victims shot there.

David Byrne - American Utopia - When this was released I enjoyed it but it did strike me as "another good David Byrne Album" rather than something special.  When we booked tickets to see him we then started to do our homework.  We played it regularly for a few weeks into the lead up and slowly some tracks did start to stand out, and then the ones in between started to shine.  It is a damn fine album and then when you combine it with what I now think is definitely one of the best shows I have ever seen.  Some of the tracks to check out in particular are the anti anti immigration Everybody's Coming Up to My House, Every Day Is A Miracle and I Dance Like This

Calexico - The Thread That Keep's Us.   I really enjoyed Calexico's previous two albums Edge of The Sun and Algiers.  Both I thought brought something new to Calexico's impressive repertoire of mixing country with spanish/mexican music.   On first listen this did not seem to build on those two albums.  However I am currently doing my homework again as I prepare for their concert early in the new year and once again that homework has me discovering some new depth.    It opens with End of The World With You, a song that reminds me of The Replacements softer moments.  Another highlights to me is Under The Wheels .  Looking forward to the show next year.

AVOID AT ALL COSTS
While I generally try to stay positive about music and think if I don't get it and others do that is cool.  However two releases I listened to in 2018 that really were pretty appalling were Arctic Monkey's Tranquility Base Hotel and anything by Greta Van Fleet.

Recent Additions - Eilen Jewell - Sundown over Ghost Town

Sadly I missed Eilen Jewell's recent visit to NZ by a mere few weeks.  However I  compensated a bit by buying Sundown Over Ghost Town her latest and from what I have heard so far best release.

I first became aware of Eilen when the guys at Radar Records (sadly lost since the earthquakes) in Christchurch recommended Letters from Sinners and Strangers to me.  I knew nothing about her but that used to be one of the good things about a good record store.  They would learn what you like and make good recommendations based on that.  I suppose the Amazon algorithms now do that for you instead.

What I have particularly liked about Eilin's work is that she seems able to produce music that is invested in a variety of different genres while still maintaining a high standard and consistent feel. Her albums are really albums.  In particular she brings a mix of folk, blues, country with a californian mexican feeling.  Think Calexico or Los Lobos with a great blues vocalist.

2014's Queen of the Minor Key gave an indication that Eilen may have been at the start of a golden patch.  A great CD but to my ears Sundown is one step up again.   She opens with Worried Mind, perhaps the most conventional song on the album - however she invests it with the Hallelujah Band brings to mind Annie Proulx's Accordian Crimes telling the story of a guitar that wants to let its music out.

Rio Grande and Down The Road really bring the Mexican Blues feeling to the fore - I am still not quite sure which I prefer both are great songs.  Rio Grande opens with a Mariachi Band and a great line "This place plays tricks on me - I don’t know why I’m here"

Eilen's lyrics have always been good but again I think these are just magnificent.  Even the best lyrics do not always translate on the written page however the lyrics here are thoughtful, concise and evocative.  Possibly best exemplified on Half Broke Horse, is she talking about the horse, a relationship, the town or the country.

Half-Broke Horse

Stolen from the desert

In the lost part of the state

Just a half-broke horse

He waits by the gate

No bridled horse can stand him

Or any of his kind

Their hidden laws condemn him

They’re so rigid and refined

He watches on the edge

Dirty coat, shaggy mane

Too wild for this world,

Too tame for mustangs

Grew up in the desert

In the lost part of the state

Cut our teeth on promises

And empty plates

Single-wides and ranches

Disappear before our eyes

These folks here don’t come around

They’re so rigid and refined

We stand on the edge

Dirty coats, ragged hands

We’re strangers to this world

And this new breed of man

And we just got our notice

This whole place is going under

The bank’s whip is on us

We won’t last another summer

They’ll have to come and take us

With the force of ten trains

‘Cause it’s no life worth living

If we don’t hold the reins

Like half-broke horses

From the lost part of the state

We watch in silence

And wait by the gate

On both sides of these bars

We’re one and the same

Too wild for this world,

Too tame for mustangs

Green Hills then evocatively tells the story of the decaying of middle america

I’ve seen your sad towns,

Too barren for ghosts

Empty silos on state highways

Five o’clock light, signposts

I’ve seen your old tracks

Like scars on your hands

Giving nothing to no one

Dried vines, iron brands

For dollar bills our great green hills

Sink down into wasteland

And when they’re gone they leave you alone

To hide your face in the sand

We are not quite 3/4 of the way through the year and I already suspect this will be my favourite album - highly recommended.

Favourites - Dimmer You've Got to Hear the Music

Word is out that Shayne Carter has a new record set for release soon.  That is good news for Kiwi music fans as Carter has been releasing interesting music approaching 40 years now from his start while still at school in Bored Games through Straightjacket Fits and The Doublehappys and Dimmer.  

Apparently the new album is to be piano based. That will be interesting.

I have an original pressing of the original Bored Games EP which until it was re-released a few years ago was selling for more than a $100.  That is a problem with record collecting - a re-release can quickly reduce the value of some records.

Dimmer was a bit of a departure from the guitar driven "Dunedin" or "Flying Nun"  sound of Carter's previous work,  It is more electronic and dance driven.

Fans will always argue over what release is best but You've Got to Hear the Music is my favourite. The single Getting What You Give with its interesting and arty video was my introduction to this phase of Carter's career and the reason I went out and bought the CD.    I knew it was good and I would like it from the moment I heard the opening beats of Come Here.    Other highlights include
Backwards is Backwards and Lucky One.

Bring on the new album

Song of the Day : Darling Be Home Soon - The Loving Spoonful

The first time I heard Darling Be Home Soon was Joe Cocker's version.  It was OK.

Years later I finally heard the original Loving Spoonful version about ten years ago and I was blown away.  Devoid of Joe's bombast, and blessed with John Sebastian's more gentle vocal and some great brass and strings it is a joy.  Getting across the sense of anticipation at the simple pleasure of routine in a loving relationship.

Special

Recent Additions : Allen Toussaint - Live in Philadelphia 1975

Last year we lost Allen Toussaint one of the innovators of New Orleans modern soul, rock and blues sound.  I first really became aware of him ín the 70s as he added his special oomph to the music of Dr John, The Band and Little Feat.

I was pleased to see that this live show from 1975 was released this year as a record store day release.  I was even more pleased when I managed to pick up a copy a month later when I finally managed to get to a store.

On the recording he is backed by a great band and runs through a variety of his "hits" or at least songs that were hits for others.

So you get some pretty funky versions of songs like Brickyard Blues - which Three Dog Night almost removed all of its gentle funkiness for their version (I still enjoy it though).

Freedom for the Stallion - one of the less stringent civil rights songs of the early 70s.  So much so that many people are likely to have missed the message when The Hues Corporation had pretty big hit with it and Southern Nights his ode to balmy New Orleans evening that Glen Campbell made famous.

You also get a nice version of Last Train from his Southern Nights album and which Mavis Staples made a great version of on her Jeff Tweedy produced album - You are Not Alone.

The biggest disappointment with this album is that it can not possibly be the full show and is over WAY TOO SOON.

Can't wait to hear it on the stereo when it is (re)set up in a few weeks.